TMI is a collection of minimal ambient compositions taking as their origin the sonority of the Bansuri flute. The ancient Vedic bamboo instrument is given an unapologetically synthetic treatment, drenched in diffusion algorithms designed for immersion.
Influenced by the Indian aesthetic notion of Rasa, a multivalent term denoting juice, essence or flavour, each composition is conceived as a single tonal expression arising from a process akin to a ‘pulping’ of sound.
Produced for the exhibition ‘Real Time’ (2020) at Seventeen Gallery, curated by Damien Roach.
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